风笛文化包括与风笛及其使用相关的广泛表达和知识,包括音乐曲目、风格和装饰、歌曲、舞蹈、乐器制作、民俗和传统以及特殊的语言表达。整个斯洛伐克都有风笛传统,在技术细节、调音、装饰和诀窍以及相应的歌曲和舞蹈曲目方面存在区域差异。该元素的主要承载者和实践者是风笛制作者和演奏者,以及其他与风笛演奏者一起表演的音乐家、歌手和舞者。风笛文化的许多属性是斯洛伐克传统民间文化的标志,与自然环境有关,例如建筑方法(使用山羊皮)或乐器的审美形式(当地民间艺术的其他领域)、当地和个人风格的歌曲和曲目解读。风笛文化在家庭和社区内通过正规和非正规教育代代相传。社区以拥有风笛手为荣,当风笛手参加社区社交活动时,音乐会在社区所有成员之间产生一种认同感。

2015年度列入人类非物质文化遗产名录。

来源:联合国教科文组织亚太地区非物质文化遗产国际培训中心

 

Bagpipe culture consists of a wide range of expressions and knowledge associated with bagpipes and their use, including music repertoire, style and ornamentation, songs, dances, instrument-making, folk customs and traditions and special verbal expressions. The bagpipe tradition exists throughout Slovakia, with regional differences concerning technical details, tuning, ornaments and know-how, and corresponding songs and dance repertoire. The main bearers and practitioners of the element are bagpipe makers and players, as well as other musicians, singers and dancers performing in groups with bagpipe players. Many of the attributes of bagpipe culture are hallmarks of traditional folk culture in Slovakia with links to the natural environment, such as construction methods (use of goat skin) or the aesthetic forms of instruments (other domains of local folk art), local and individual styles of interpretation of songs and repertoire. Bagpipe culture is transmitted from generation to generation within the family and community and via formal and non-formal education. A community is proud to have a bagpipe player and when a bagpiper attends a community social event, the music generates a sense of identity shared among all members of the community.

Included in the list of human intangible cultural heritage in 2015.

Source: UNESCO International Training Center for intangible cultural heritage in the Asia Pacific Region

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