Međimurska popevka是一首来自克罗地亚西北部Međimurje地区的民歌,历史上主要由女性练习独唱。如今,它是由个人和团体,包括男性和女性,以声乐、声乐器乐、器乐、单声部和多声部的形式表演,作为一种音乐体裁或融入舞蹈中。这些歌词非常重要,为将其分为爱情、悲伤、忧郁、幽默和教会流行歌曲奠定了基础。最活跃的歌手大多是文化艺术协会和协会的成员,这些协会和协会在该国有着悠久的历史,但个别歌手也发挥着关键作用,因为波皮夫卡的独奏表演非常细致。该元素在广泛的社会环境中得到实践,从独奏音乐到家庭和社区活动、工作聚会、宗教活动,以及在Međimurje内外的表演。普通居民一生中都经历过无数种情况下的popevka,并被鼓励在这种情况下加入音乐制作。目前,大约有50名歌手被视为艺术大师,因为他们传播了该流派的经典优点,并有能力将其融入个人表达,而女性往往是将这种做法传播给年轻一代的导师。

2018年度列入人类非物质文化遗产名录。

来源:联合国教科文组织亚太地区非物质文化遗产国际培训中心

 

Međimurska popevka, a folksong from the Međimurje region, in the north-western part of Croatia, was historically predominantly a soloist vocal genre practised by women. Nowadays, it is performed by individuals and groups, men and women, in vocal, vocal-instrumental, instrumental, monophonic and multipart renditions, as a musical genre or incorporated into the dance. The lyrics are of great importance and establish a basis for the classification into, among others, love, sad-melancholic, humorous and church popevkas. The most active bearers are mostly members of cultural-artistic societies and associations, which have a long history in the country, but individual singers also play a key role as nuanced soloist renditions are typical for popevka. The element is practised in a broad range of social contexts, from solitary music-making to family and community happenings, work gatherings, religious events, and performances within and outside of Međimurje. The average inhabitants have all experienced popevka in numerous situations throughout their lives and are encouraged to join the music-making on such occasions. There are currently around fifty singers regarded as masters of the art for their transmission of classical merits of the genre and their capacity to imbue it with personal expressions, and women often serve as mentors in transmitting the practice to younger generations.

Included in the list of human intangible cultural heritage in 2018.

Source: UNESCO International Training Center for intangible cultural heritage in the Asia Pacific Region




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