Nongak是一种流行的表演艺术,源于公共仪式和乡村娱乐。它已发展成为大韩民国具有代表性的表演艺术,结合了打击乐团,有时还结合了管乐器、游行、舞蹈、戏剧和杂技。当地的农家乐表演者身穿五颜六色的服装,在社区活动中表演他们的音乐和舞蹈,目的多种多样,如安抚神、追逐邪灵、祈求春天丰收,然后在秋季节日庆祝丰收,以及为社区项目筹集资金。农加克有着独特的地域风格,一般分为五个文化中心。在每个地区,不同的村庄在乐队组成、表演风格、节奏和服装上都存在差异。舞蹈包括舞蹈队形和飘带舞,而戴着面具和奇特服装的演员也会表演有趣的短剧。杂技包括儿童舞蹈演员扛在成人演员肩上旋转盘子和模仿滑稽动作。公众通过观察和参与农卡的表演来熟悉农卡,而社区团体和教育机构在教学和传播不同组成部分方面发挥着重要作用。Nongak有助于加强社区内的团结与合作,并在社区成员之间建立共同认同感。

2014年度列入人类非物质文化遗产名录。

来源:联合国教科文组织亚太地区非物质文化遗产国际培训中心

 

Nongak is a popular performing art derived from communal rites and rustic entertainments. It has evolved into a representative performing art of the Republic of Korea, combining a percussion ensemble and sometimes wind instruments, parading, dancing, drama and acrobatic feats. Local Nongak performers clad in colourful costumes perform their music and dance during community events with various purposes, such as appeasing gods, chasing evil spirits, praying for a rich harvest in spring then celebrating it during autumn festivals and fund-raising for community projects. There are distinctive regional styles of Nongak, generally divided among five cultural centres. Within each area, differences exist from one village to another in band composition, performing style, rhythm and costumes. Dancing includes choreographic formations and streamer dances while actors wearing masks and peculiar outfits also perform funny skits. Acrobatics include dish spinning and miming antics by child dancers carried on the shoulders of adult performers. The public becomes familiar with Nongak through observation and participation in its performances, while community groups and educational institutions play an important role in teaching and transmitting the different components. Nongak helps to enhance solidarity and cooperation in the community and establishes a sense of shared identity among community members.

Included in the list of human intangible cultural heritage in 2014.

Source: UNESCO International Training Center for intangible cultural heritage in the Asia Pacific Region




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