阿根廷和乌拉圭的探戈传统,现在已经为世界所熟悉,是由位于巴拉它河盆地的布宜诺斯艾利斯和蒙得维的亚(乌拉圭首都)的底层人民发展起来的。在这片区域的欧洲移民中混杂着非洲奴隶的后裔,以及西班牙裔拉丁美洲人,即该地区的原住居民;各式各样的习俗、信仰和仪式融合、转变成一种与众不同的文化特性。作为最能够帮助人们认知这种特性的体现形式,探戈音乐、舞蹈和诗歌具体表达并且促进了文化的多样性与对话。探戈在布宜诺斯艾利斯和蒙得维的亚的传统舞厅里表演和流传,即使在它适应新环境和时代变化的过程中,也在全球各地传播着这个群体的共同精神。今天这一群体容纳了音乐家、专业的和业余的舞者、编舞、作曲家、歌曲作者、探戈艺术的教师和传承人,他们是探戈文化的具体表现。在阿根廷和乌拉圭,探戈也融入到了国家传统的庆典之中,反映出这种流行的都市音乐受到普遍的欢迎和喜爱。

The Argentine and Uruguayan tango tradition, now known to the world, was developed by the underclass in Buenos Aires and Montevideo, located in the balata river basin. European immigrants to the region were mixed with descendants of African slaves, as well as hispanics, the region's original inhabitants; Various customs, beliefs and rituals have merged into a distinctive cultural identity. Tango music, dance and poetry are the forms that can best help people to recognize this characteristic and express it concretely and promote cultural diversity and dialogue. Tango is played and played in traditional dance halls in Buenos Aires and Montevideo, and even as it ADAPTS to new circumstances and changing times, it spreads the collective spirit of the group around the world. Today, this group includes musicians, professional and amateur dancers, choreographers, composers, songwriters, teachers and inheritors of tango art, who are concrete manifestations of tango culture. In Argentina and Uruguay, tango is also incorporated into national traditions, reflecting the popularity and popularity of the popular urban music.


上一篇:【美洲•巴西 】瓦雅皮人的口头和图画表达形式 Oral and Graphic Expressions of the Wajapi(2008年)

下一篇:【美洲•乌拉圭 】冈东贝及其社会文化空间:一种社会活动 The Candombe and its socio-cultural space: a community practice(2009年)